LYRIC CYCLES IN THE POETRY BOOK BY MILOSAV TEŠIĆ PRIVID KRUGA

Abstract

The paper, on the example of the book Privid kruga, discusses Milosav Tešić’s tendency to organize his poetry into wider lyrical or lyrical-epic wholes (circles, cycles, poems). Starting primarily from the theoretical conclusions of Elena Apostolos Sterjopoulou, the author tries to show how various intertextual lexical repetitions enable Tesic to structure the Phantom of the Circle as a cycle cycle, but also to bring the meanings of this book into close connection with his earlier work. This firmly composed poetic whole gained its full meaning by reading the poet’s comments and in collusion with his earlier books.