NOISE OF BARBARIANS: A CONSISTENT RADICAL ARTISTIC PRACTICE OF ZENITISM

Abstract

The topic of this paper is to reflect the range and scope of zenitism as one avant-garde theoretical platform that in the most convincing manner testifies about disintegration that occurs within the overall Serbian avant-garde – modernism paradigm. Consistency and radicality of zenitistic creative practice, is one that affirms the uniqueness zenitism in the context of the European avant-garde, and Serbian cultural matrix. In this way, the point is a real need for reassessment zenitists creation, both in its theoretical consideration – explicit, and implicitly the very creative – embodiment. This is especially true with regard to the timeliness and creative practice in relation to contemporary art trends and considering the authentic character of the projective-futurological zenitism.